In.Side AC

In this episode, artist James Webb and curator Luísa Santos from the exhibition There’s No Place Called Home (Belém/Anjos, Lisbon) discuss the new version of this project, which, through the introduction of foreign birdsong in local trees, exposes stories of displacement, ecology, and colonialism. The conversation touches on the contexts of Belém and the old Bairro das Colónias neighbourhood, where the work reveals how monuments, landscapes and sounds still echo imperial legacies. Between art, politics and the environment, the episode invites us to think about new forms of coexistence between humans and non-humans and what it means to not have, or to seek, a place called home.